Eupraxia Yevdokimova

TOMO Nara adds plenty of joy to any logo, layout or UI. Geometric shapes and a funny look come together in this font – thus, Nara might be the perfect choice for toys, books, packaging, posters or even webapps! Let’s have some fun!

Geometric, stylish, and not quite a stencil face: Glance Sans is the urban alter ego of Glance Slab—a strong-willed sans-serif with no frills but a few unique character traits.

Glance Sans follows the design principle of nonjoining parts that made Glance Slab successful. Some strokes may not connect to their stems, creating visible gaps and thus, a dynamic impression of balance and movement. However, Glance Sans has a calmer appearance due to the lack of detached serifs. If Glance Slab’s home territory are large, crowded stadiums and massive sports events, Glance Sans prefers streetball courts, well-used skate parks, and underground clubs. It also adapts to urban work environments from finance to high-tech. Whenever a more toned-down look is called for while retaining the elegance of an athlete, Glance Sans is ready to roll.

In the city environment, versatility is key. That’s why Glance Sans sports 7 weights as well as a complete set of italics. These are not just sloped romans but individually drawn letterforms, subtly referencing classic italic construction for more effective emphasis. Among the 600+ glyphs of Glance Sans, you’ll find goodies such as six sets of figures, circled numbers, circled arrows, and all kinds of currency symbols in two stylistic versions. Glance Sans is a great tool for industrial and high-tech branding, for wayfinding systems in contemporary or modernist architecture, for corporate identities in arts, crafts, medicine, culture, and education, and for all kinds of sports-themed design.

Both members of the Glance superfamily are easily and effectively combinable; both are able to stand on their own feet. With its powerful italics, you might opt for Glance Sans as your text typeface and use Glance Slab for headlines. Or you set large, clean, display-sized lines in Glance Sans and spice them up with a bit of sportive Glance Slab. It’s up to you to decide how to bring out the best in both of them.

Cooming soon ...

Mirtha Display is a clean and elegant decorative font with 40+ ligatures and the ability to create chains (make a shape in Illustrator, type @@ to form a link on it and there it is, an editable chain).

Inspired in art deco but with a modern touch it works perfectly in short headlines. It comes in two weights with italics and it has flexibility to perform well within retro or modern designs and can serve in a wide range of projects from posters to branding, logos, packaging, magazines and more.

Mirtha Display extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Basic Greek and more.

Monesta® is a confident smooth serif font family. Designed by Aulia Rahman, Monesta® it creates a sense of softness and expressiveness. the concept into usability focused direction, to work as a bold tool and beautiful communicator.

Monesta variable allows design across 9 weights, major Latin based languages, and Cyrillic. Monesta® bringing energy and making it suitable for modern design.

Along Slab WORK is a elegant Slab Serif font family, which designed by Ryuld Davidson of the Brenners Template.

It retains the skeleton of the Along Sans S2(https://www.myfonts.com/fonts/brenners-template/along-sans)

Especially, all italic styles were rhythmically redesigned for inspiration of glyphs.

This font family has a unique personality for each style and will help a designer's choice.

Katerina P Rounded was designed by Nikolay Savchuk. Katerina P Rounded is a modern versatile sans-serif typeface. What differentiates Katerina P Rounded from the other fonts is an exceptionally distinctive design. It is brilliantly suited for graphic design and display use and perfect for logotypes, t-shirts, packaging, brand identity, books, magazines, newspapers, posters, billboards, and advertising.

Meet Leifa, a confident, timeless and elegant Flare Serif. 

Leifa is a versatile companion, perfectly usable for a variety of applications. But especially the areas of branding and editorial design are Leifa's preferred playground. There in particular, the typeface impresses with its look and feel, making the design pleasant and smooth. Take a look at the wonderful lowercase letter /f, or the spiky spurs of the other lowercase letters. That's where the fun begins. 

Its flattened serifs and sharp spurs are restrained and almost inconspicuous in copy text, but in display sizes they unfold their potential and provide an organic and humanistic touch.

Designed by Moritz Kleinsorge, Leifa consists of eight weights from Thin to Black with matching italics. Each style has a character set of about 615 glyphs. Four stylistic sets allow an alternative Leifas appearance, there is an option for a single-story /a (ss01), simple /f (ss02), triple-story /g (ss03) and thin punctuation marks (ss04). You will also find a set of ligatures, tabular figures and symbols, case-sensitive forms, fractions and many other features in this beautiful typeface.

Daikon is a semi-closed geometric grotesque featuring rich language support including Cyrillic, various OpenType features and multiple sets of figures.

This family’s clean and legible feel makes it useable as both display and body type in any font size.

Bienvenue is a quick handwritten font. Written with a brush pen and tidied up for smooth and balanced results. Suitable for social media, instagram, logos, websites, blogs, home decor quotes, wedding decor quotes, invitations, branding, business cards, fashion brand, printing project, book cover, promotion ads, and much more!

Includes a large set of multilingual accent characters.

Say Hello to Nostalgia! A Modern Font with a retro feeling 3 Fonts Regular, Effect and Flowers

You can Access your OpenType features and discover a large choice of alternate glyphs for caps, ligatures swashes and more. This font is very versatile, covering a wide range request, from logos, headlines, branding, magazine design , to wedding cards, poster and so much more.

TT Octosquares is a fresh, revised, expanded, and significantly improved version of our first commercial typeface TT Squares and its narrow version TT Squares Condensed. With all our love for the original font family, it felt there was a lack of functionality, character composition, features, and design freshness, which prompted us to the idea of a complete restart. Now TT Octosquares can be safely called a superfamily consisting of 4 widths (Compressed, Condensed, Standard, Expanded), 72 faces (18 in each width), and 1 incredible variable font in which variability works jointly on three axes.

In addition to working on the contours themselves and their design, we completely revised the composition of the typeface. First, we added two completely new widths: Compressed and Expanded. Secondly, we increased the number of weights in each of the subfamilies—while in the old versions there were 5 weights, now in each of the subfamilies there are 9 weights. At the stage of working with the contours of characters, we revised the roundings, changed the forms of shoulder and stem crossings, added noticeable shelves at the letters, removed the sharpness from the triangular characters and cut off all sharp endings.

From the very beginning of work on TT Octosquares, we planned to make a variable 3-axis version of it sewn into 1 font file. This means that by installing just one variable font file, you get access to three axial adjustment of the font: by thickness, width and inclination. Thanks to this flexibility in settings, you can always choose a custom combination of thickness, width or inclination that best suits your tasks.

Due to the increased language support and the appearance of a bunch of useful OpenType features, the number of glyphs in the typeface has increased from 480 to 825 in each style. Now you can use stylistic alternates, standard and discretionary ligatures, or use old-style figures, numbers in circles and even slashed zeros in your design. Full list of features: aalt, mark, mkmk, ccmp, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, case, zero, dlig, liga, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, calt, locl.

To use the variable font with three variable axes on Mac you will need MacOS 10.14 or higher. For other software and browsers, you can check the support status here: v-fonts.com/support/.

Xova Rounded is a geometric rounded typeface. The use of perfect round shapes and quite a low ascender height makes it a very stable, yet playful looking typeface.