Showing posts with label case sensitive. Show all posts
Showing posts with label case sensitive. Show all posts

Download Rozanova Fonts Family From Variable Type Foundry

Download Rozanova Fonts Family From Variable Type Foundry
Download Rozanova Fonts Family From Variable Type Foundry Download Rozanova Fonts Family From Variable Type FoundryDownload Rozanova Fonts Family From Variable Type Foundry



Rozanova glyph proportions and shapes make it functional, legible and with personality. The personal character of its shapes makes Rozanova a versatile, dynamic, recognizable, legible and functional typeface, perfect for editorial projects, corporate use, and strong brand identity design such as posters, logotypes and packaging. This typeface shows two version shapes: geometric and humanist. Rozanova consists of a standard version (geometric) and an alternative version (humanistic), each in 9 weights (ranging from Thin to Black) with matching italics. The font also includes OpenType features, like case-sensitive forms, and the whole 503 character set supports more than 200 languages.


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Download Bridge Text Font Family From TypeMates

Download Bridge Text Font Family From TypeMates
Download Bridge Text Font Family From TypeMates Download Bridge Text Font Family From TypeMatesDownload Bridge Text Font Family From TypeMates



The drummer in a band of confident, edgy editorial typefaces Bridge Text brings rhythm and clarity to longform reading. With crisp character, sparkling texture and driving asymmetrical counters, Bridge Text refines Bridge Head’s graphic qualities for note perfect, highly readable text at smaller sizes. Slightly narrow proportions, moderate stroke contrast and an ample x-height ensure Bridge Text is clear and efficient. With five weights and matching italics for distinctively setting quotes or marginalia, Bridge Text has a range of ways to give longform text a modern voice. Each of her 10 styles can work together with Bridge Head to tell stories and build complex typographic ensembles in editorial and corporate design. Unlike other superfamilies, Bridge Head and Bridge Text are distinguished by more than optical adjustments. Letterforms and details are opened out or simplified for body text. Close up, the two-cornered counter shape that gives text a crisp character appears. Step back, and a smooth, calm texture for print publishing and digital media emerges. The daughter of classical Didone typefaces, Bridge has a vertical stress and a modern treatment. Bridge’s ideas and foundations began during TypeMedia 2018 (https://www.typemedia2018.com/mona) in The Hague as a master project under the supervision of Erik van Blokland, Paul van der Laan, and Peter Verheul. Thank you!


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